Helen & Erik live on the east coast, but they discovered Lunalux while visiting Erik’s family in Minneapolis. Erik gets credit for designing their wedding invitation suite, including the fantastic tree illustration. I suggested a few minor edits to the text and the layout, but my main contribution was calligraphy on the invitations and envelopes. The hand-written names are letterpress-printed along with the rest of the invitation text; I wrote the bride and groom’s names over and over again, until each curve was just right, then scanned the best versions and dropped them into the layout like a graphic. The full set – wedding invitation, rehearsal dinner invitation & response card – was letterpress-printed in black ink on pearl white 100% cotton Lettra 110# cover, with matching invitation and response envelopes. When all the work of printing and trimming was finished, I set to the hefty task of hand-addressing the envelopes too, so the mailing address matches the text on the invitations themselves.

I have worked at my penmanship for many years, so it’s a great honor for me to share it with my clients. I have addressed a few wedding invitations in my time, and have occasionally incorporated my handwriting into greeting card designs, but this is the first time that my lettering has been letterpress-printed on an invitation. And it was such a thrill to see the finished product! Since this project was completed a few months ago, I have taken on a few other exciting hand-lettering projects – I look forward to featuring them here in our blog in the coming weeks.

Curious about our letterpress-printed wedding stationery? Click here to read more about our design and printing services. You might also enjoy browsing through our blog archives, where we’ve featured many of our favorite wedding projects.

This blustery winter weather is bringing me down. So I’ve been self-administering a little paper therapy, sifting through stacks of summery samples to lift my spirits. The most effective treatment thus far? Adrienne and Matthew’s vibrant fuchsia and tangerine wedding stationery. This was such a big project for us, I’m not sure why it didn’t make the blog before now. Were we too busy to write? Did we get distracted by pretty shiny objects? Hard to say! But I’m happy to share it with you now, mid-blizzard. We started working with the bride and groom last May. When they first visited Lunalux, they had specific ideas about what they wanted on their invitations (a funky little flower, and bold lettering with a strong emphasis on the date) but left the particulars of the design up to us. So it was great fun to experiment with different graphics, fonts and compositions. We explored a number of charming flowers, mostly culled from our vast library of clip art; so we were excited that they settled on this two-color image, a Lunlux original.

The wedding invitation, with its RSVP postcard and separate invitation for a pre-wedding cocktail reception, incorporates the mod flower and bold sans serif typography. Everything is letterpress-printed in bright pink and orangey-yellow inks on fluorescent white 100% cotton Lettra cover. The face of the stark white envelope was punched up with a little flower as well. The couple also took advantage of our hand-addressing services, and we mixed a custom orange ink for the project – such a great way to introduce another color into the mix without splurging on three-color printing! As the big day rolled near, we created programs for the ceremony, and placecards (again, hand-lettered wtih custom-mixed ink) for their outdoor reception.

You can read about other recent design projects in our blog archive, or click here to learn more about our custom-designed letterpress-printed wedding stationery

Luanne and Roger wanted a very simple invitation for their at-home wedding reception last month. Browsing through sample books at the Lunalux studio, they fell for this earthy paper combo we used recently for Leah and Jeanie’s wedding invitations – brown kraft envelopes, paired with burlap-textured card stock. Working with that warm color palette, we created a stand-alone invitation (no response card needed, because the invitation includes an R.S.V.P. telephone number) featuring sans-serif text and autumn leaves. Perfect for October nuptials! We also created smaller notecards imprinted with the leaves only, for the couple to use as thankyou notes when they returned from the honeymoon. Everything is letterpress-printed in orange and sepia inks on 100% recycled papers.

Do you want to learn more about our custom-designed letterpress-printed wedding statioenry? Click here for general information and pricing, or click here to read more from our blog archives about other invitations we’ve created. If you’re in the market for wedding invitations, we invite you to stop by our studio store during  our regular hours (Tues.-Sat. 11a.m.-6p.m.) to take a look at the work we do, or call 612-373-0526 to schedule a formal consultation.

Leigh found Lunalux while searching the internet for wedding stationery that is both sophisticated and earth-friendly. She wanted invitations printed on 100% recycled paper but didn’t want them to look crafty. It was a fun challenge to work with a long-distance client who had very specific needs! Leigh found a shower invitation on our website that was almost perfect (click here to read our post about it from last February). She loved the composition, but knew that her botany-wise relatives would hassle her for using seasonally inaccurate dogwood blossoms on invitations for a August wedding. Because all Lunalux invitations are custom-designed to suit our individual clients, I assured her it would be no problem to replace the dogwood with a different floral graphic. I created an illustration of trumpet vines and sourced heavy 100% recycled card stock and envelopes from Michigan’s earth-loving French Paper, staying in touch with Leigh every step of the way via phone and email. The trumpet vines are incorporated into the invitation, RSVP cards, thank-you notes and place cards in deep, saturated shades of orange and turquoise. When Leigh received the finished product, she was thrilled – and we were thrilled by her enthusiastic thank-you. “The invitations are perfect! Now everyone will see that is IS possible to have environmentally friendly invitations that are elegant.”

Looking for unique wedding invitations? Click here to read more about our design and letterpress printing services.

Even though it’s practically a holiday, I’m enjoying a bustling and productive day in the studio. Planning to work late, even! We’re expecting a little visit from Blue and Jack, a couple whose unique wedding invitations we printed earlier this year. They’re having a night-before-the-wedding party at the dance studio next door (hello, Four Seasons), and might pop in for a visit before they get their champagne on. The bride and groom live in London, but are enjoying Independence Day nupltials at the James J. Hill Library in downtown St. Paul. The bookish locale inspired wedding invitation booklets with their names pressed into the cover, and pages for the invitation, travel information and response card. Extra booklet covers will be repurposed as covers for the ceremony program (Blue took care of the detailed interior pages) and thank-you notes. We also printed two A2-sized envelopes – the bride’s parents’ address was used for the invitation envelopes, but Blue and Jack’s London address went on envelopes for the thank-yous.

The booklet is made from three folded cards, printed in navy blue and saturated yellow on 100% cotton Lettra cover. The last page, an RSVP postcard, was micro-perforated for easy removal. We nested the pages together and gave the assembled invitations a face-trim. With such thick pages in the booklet, interior pages jutted out of the cover a bit; this final post-assembly trim left the finished piece looking more, well, finished. Blue took on the Herculean task of hand-stitching over 100 invitations. I tried to stitch a few together for sample albums and photo shoots, but kept pricking my finger and messing up the snowy white cover. So our sample shown here is bound with a slim satiny ribbon along the spine.

I’m really proud of how this invitation turned out. Blue and Jack get lots of credit for coming to Lunalux with the idea of a booklet invitation, and for giving me a nice balance of articulate direction and creative freedom. The finished invitation feels substantial and special, and looks like it was meant to be letterpress-printed. The unexpected format executed with classic typography turned out to be perfect for their wedding in the stacks. The ornamentation is bookish, but the exaggerated proportion of the dingbats on the cover add a modern touch to an otherwise simple, classic composition.