In-house calligrapher, at your service

Helen & Erik live on the east coast, but they discovered Lunalux while visiting Erik’s family in Minneapolis. Erik gets credit for designing their wedding invitation suite, including the fantastic tree illustration. I suggested a few minor edits to the text and the layout, but my main contribution was calligraphy on the invitations and envelopes. The hand-written names are letterpress-printed along with the rest of the invitation text; I wrote the bride and groom’s names over and over again, until each curve was just right, then scanned the best versions and dropped them into the layout like a graphic. The full set – wedding invitation, rehearsal dinner invitation & response card – was letterpress-printed in black ink on pearl white 100% cotton Lettra 110# cover, with matching invitation and response envelopes. When all the work of printing and trimming was finished, I set to the hefty task of hand-addressing the envelopes too, so the mailing address matches the text on the invitations themselves.

I have worked at my penmanship for many years, so it’s a great honor for me to share it with my clients. I have addressed a few wedding invitations in my time, and have occasionally incorporated my handwriting into greeting card designs, but this is the first time that my lettering has been letterpress-printed on an invitation. And it was such a thrill to see the finished product! Since this project was completed a few months ago, I have taken on a few other exciting hand-lettering projects – I look forward to featuring them here in our blog in the coming weeks.

Curious about our letterpress-printed wedding stationery? Click here to read more about our design and printing services. You might also enjoy browsing through our blog archives, where we’ve featured many of our favorite wedding projects.

Design + Print: edged business cards

Photographer Josh Hackney came to Lunlaux with an existing logo for his business, and asked us to develop a memorable tag/business card. We agreed right away that the composition should be very simple, and the wow factor would come from the use of  luxurious materials. So we printed these jumbo cards (they’re 2.5×3.5 inches, instead of the standard 2×3.5 inch business card format) on super-thick 220# Lettra cotton cover. The perfect shade of pale blue-green ink (we decided to call it Sea Glass) looks dreamy on the slightly textured bright white stock. The card is so thick that when you hold it in your hand, you can’t help but really pay attention, to turn it over and study the way the type bites into the paper. It’s in that moment that the best detail catches your eye: painted edges. We’ve only recently started to offer edging service, and this is our favorite deployment of the process yet. Edging works best on the thickest of stocks, where you can really see the color. The cards were gorgeous before we did the edging; the last little touch of color really outs it over the edge though! We drilled tiny holes in most of the cards, so they could be attached to his new bags with lovely grosgrain ribbon, but some were left intact to be used as business cards. The business stationery package was rounded out with correspondence cards and coordinating envelopes.

Are you considering adding a little letterpress to your business collateral collection? You can read more abut our design and letterpress services for business stationery in the custom section of our website. You can also browse our blog archives to read about other business stationery projects we’ve worked on in the past.

Design + Print: mod floral invitation

This blustery winter weather is bringing me down. So I’ve been self-administering a little paper therapy, sifting through stacks of summery samples to lift my spirits. The most effective treatment thus far? Adrienne and Matthew’s vibrant fuchsia and tangerine wedding stationery. This was such a big project for us, I’m not sure why it didn’t make the blog before now. Were we too busy to write? Did we get distracted by pretty shiny objects? Hard to say! But I’m happy to share it with you now, mid-blizzard. We started working with the bride and groom last May. When they first visited Lunalux, they had specific ideas about what they wanted on their invitations (a funky little flower, and bold lettering with a strong emphasis on the date) but left the particulars of the design up to us. So it was great fun to experiment with different graphics, fonts and compositions. We explored a number of charming flowers, mostly culled from our vast library of clip art; so we were excited that they settled on this two-color image, a Lunlux original.

The wedding invitation, with its RSVP postcard and separate invitation for a pre-wedding cocktail reception, incorporates the mod flower and bold sans serif typography. Everything is letterpress-printed in bright pink and orangey-yellow inks on fluorescent white 100% cotton Lettra cover. The face of the stark white envelope was punched up with a little flower as well. The couple also took advantage of our hand-addressing services, and we mixed a custom orange ink for the project – such a great way to introduce another color into the mix without splurging on three-color printing! As the big day rolled near, we created programs for the ceremony, and placecards (again, hand-lettered wtih custom-mixed ink) for their outdoor reception.

You can read about other recent design projects in our blog archive, or click here to learn more about our custom-designed letterpress-printed wedding stationery

 

Design + Print: program covers

Have you noticed that the Lunalux blog has been kinda quiet lately? Me too. The main reason: I took several weeks off from work in October because my mom passed away. I come from a great big family, so we all huddled together for a while to take care of each other. There is, indeed, strength in numbers! We all pitched in to help plan the funeral, too. My task: creating programs for the service. Late one night, with one of my brothers peeking over my shoulder, I did my best to create a quiet, beautiful design for my least favorite thing ever. After staring at the computer screen for an hour or two, we discovered a lovely coincidence: the lily of the valley image includes 10 individual flowers, one for each of my mom’s 10 kids. The next afternoon, we (and by “we” I mean 2 brothers, 1 sister and myself – we’re all printers) letterpress-printed the covers with green and gray inks on pearl white 100% cotton Lettra cover; the interior pages were modest photocopies, because there wasn’t time to do every element so fancy. The programs were bound with green double-faced satin ribbon. Extra program covers are doing double-duty as thank-you notes.

It feels a little weird– wrong, even – to blog about something so personal and sad. But I think it would feel even more weird to skip over this monumental project like it never happened. So here it is. And now we’re moving on to other things.

Design + Print: wedding invitation booklet

Even though it’s practically a holiday, I’m enjoying a bustling and productive day in the studio. Planning to work late, even! We’re expecting a little visit from Blue and Jack, a couple whose unique wedding invitations we printed earlier this year. They’re having a night-before-the-wedding party at the dance studio next door (hello, Four Seasons), and might pop in for a visit before they get their champagne on. The bride and groom live in London, but are enjoying Independence Day nupltials at the James J. Hill Library in downtown St. Paul. The bookish locale inspired wedding invitation booklets with their names pressed into the cover, and pages for the invitation, travel information and response card. Extra booklet covers will be repurposed as covers for the ceremony program (Blue took care of the detailed interior pages) and thank-you notes. We also printed two A2-sized envelopes – the bride’s parents’ address was used for the invitation envelopes, but Blue and Jack’s London address went on envelopes for the thank-yous.

The booklet is made from three folded cards, printed in navy blue and saturated yellow on 100% cotton Lettra cover. The last page, an RSVP postcard, was micro-perforated for easy removal. We nested the pages together and gave the assembled invitations a face-trim. With such thick pages in the booklet, interior pages jutted out of the cover a bit; this final post-assembly trim left the finished piece looking more, well, finished. Blue took on the Herculean task of hand-stitching over 100 invitations. I tried to stitch a few together for sample albums and photo shoots, but kept pricking my finger and messing up the snowy white cover. So our sample shown here is bound with a slim satiny ribbon along the spine.

I’m really proud of how this invitation turned out. Blue and Jack get lots of credit for coming to Lunalux with the idea of a booklet invitation, and for giving me a nice balance of articulate direction and creative freedom. The finished invitation feels substantial and special, and looks like it was meant to be letterpress-printed. The unexpected format executed with classic typography turned out to be perfect for their wedding in the stacks. The ornamentation is bookish, but the exaggerated proportion of the dingbats on the cover add a modern touch to an otherwise simple, classic composition.

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